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<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Arrested Motion - Latest Comments</title><link>http://arrestedmotion.disqus.com/</link><description></description><atom:link href="https://arrestedmotion.disqus.com/comments.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Thu, 28 May 2026 05:47:08 -0000</lastBuildDate><item><title>Re: Opening: Sickboy – ‘Optical Delusions’ @ Harvey Nichols (Bristol)</title><link>https://arrestedmotion.com/2023/11/opening-sickboy-optical-delusions-harvey-nichols-bristol/#comment-6881836558</link><description>&lt;p&gt;Art that mingles with everyday life hits differently. Sickboy’s Optical Delusions at Harvey Nichols sounds like a tasty, dreamlike show—signs that glow and spark conversations. Take me there!&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Harvey Specter</dc:creator><pubDate>Thu, 28 May 2026 05:47:08 -0000</pubDate></item><item><title>Re: Openings: Jeff Soto – “Sadlands” @ KP Projects</title><link>https://arrestedmotion.com/2023/09/openings-jeff-soto-sadlands-kp-projects/#comment-6881364055</link><description>&lt;p&gt;Soto nails the paradox: a post-apocalyptic SoCal drenched in candy-bright hues. The point? Ruin can be beautiful, yet it nudges us to live with risk, not pretend it’s over. If Sadlands pushes galleries to pair bleak futures with bold color, maybe it also pushes us to act—sign me up for a print and a reminder to stay hopeful.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Harvey Specter</dc:creator><pubDate>Wed, 27 May 2026 02:19:36 -0000</pubDate></item><item><title>Re: Showing: Alistair Canvin – ‘Do Not Over Inflate’ @ Plan X</title><link>https://arrestedmotion.com/2023/09/showing-alistair-canvin-do-not-over-inflate-plan-x/#comment-6881119774</link><description>&lt;p&gt;Do deflated icons expose more truth than inflated hype?&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Harvey Specter</dc:creator><pubDate>Tue, 26 May 2026 12:42:25 -0000</pubDate></item><item><title>Re: Recap: Bartek Świątecki AKA Pener – ‘Chasing The Wind’ @ Chenus Longhi</title><link>https://arrestedmotion.com/2024/03/recap-bartek-swiatecki-aka-pener-chasing-the-wind-chenus-longhi/#comment-6880944332</link><description>&lt;p&gt;Bartek Świątecki’s Wind show nails a global trend: street-born artists infiltrating galleries and bending graffiti’s rules, not erasing them. In an age where feeds outrun walls, the wind negotiates the frame—and the line between street and museum keeps bending, not breaking.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Harvey Specter</dc:creator><pubDate>Tue, 26 May 2026 03:10:27 -0000</pubDate></item><item><title>Re: Showing: Aryz – ‘Vanitas’ @ National Pantheon (Lisboa)</title><link>https://arrestedmotion.com/2024/04/showing-aryz-vanitas-national-pantheon-lisboa/#comment-6880558020</link><description>&lt;p&gt;Valid point: the Pantheon space reframes mortality for the public, not just museum-goers. Aryz makes vanitas feel urgent, not dusty. Now add a twist: in the age of feeds, transience is meme-worthy, skulls as emojis, clocks as notifications - forcing us to face death while scrolling.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Harvey Specter</dc:creator><pubDate>Mon, 25 May 2026 03:38:59 -0000</pubDate></item><item><title>Re: Showing: José Parlá – ‘Phosphene’ @ Ben Brown (London)</title><link>https://arrestedmotion.com/2023/11/showing-jose-parla-phosphene-ben-brown-london/#comment-6880186891</link><description>&lt;p&gt;Parlá nails the idea that art arrests motion, turning London walls into kinetic memory. Phosphene hums with graffiti energy and city grit. Fresh angle: invite viewer agency—motion/AR overlays could let each person remix the canvases in real time, so the city writes back with every glance.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Harvey Specter</dc:creator><pubDate>Sun, 24 May 2026 04:15:46 -0000</pubDate></item><item><title>Re: Showing: Invader – ‘Invader Space Station’</title><link>https://arrestedmotion.com/2024/03/showing-invader-invader-space-station/#comment-6879765696</link><description>&lt;p&gt;Invader turns a former Libération building into a playful space station—genius mix of urban history and sci-fi whimsy. Anyone else hear a satellite ringtone? Must-see for street art lovers and big ideas.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Harvey Specter</dc:creator><pubDate>Fri, 22 May 2026 21:33:51 -0000</pubDate></item><item><title>Re: Streets: Swoon @ Nuart Aberdeen</title><link>https://arrestedmotion.com/2024/06/streets-swoon-nuart-aberdeen/#comment-6879212250</link><description>&lt;p&gt;Stoked to see Swoon back on Aberdeen walls—art that feels sculptural and alive, right on the street. Nuart keeps public spaces vibrant and inviting. If you're heading out, take a moment with her silvery folds; it's worth the pause.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Harvey Specter</dc:creator><pubDate>Thu, 21 May 2026 14:16:48 -0000</pubDate></item><item><title>Re: Overtime: Sept. 2 &amp;#8211; Sept. 8</title><link>http://arrestedmotion.com/2013/09/overtime-sept-2-sept-8/#comment-6809901785</link><description>&lt;p&gt;The headline about how artists are using technology really resonates with me. We often focus on the visual output, but we rarely talk about the backend infrastructure required to create and store those massive digital assets.&lt;/p&gt;&lt;p&gt;I’m just a data hoarder at home, but even I hit a wall recently where my standard network just couldn't keep up with transferring large raw files to my storage array. I ended up having to swap in a better HBA card and set up a peer-to-peer 10Gb connection just to stop the bottlenecks. It makes me realize that for artists working in 4K video, VR, or complex 3D rendering, the hardware limitations must be a constant battle.&lt;/p&gt;&lt;p&gt;It’s fascinating to think that behind a beautiful digital installation, there is likely a rack full of high-speed cabling and  &lt;a href="https://serverorbit.com/hba-and-controllers/infiniband/10gb-en" rel="nofollow noopener" target="_blank" title="https://serverorbit.com/hba-and-controllers/infiniband/10gb-en"&gt;storage controllers&lt;/a&gt;  just trying to keep the data flowing smoothly. Do you think galleries are actually prepared to maintain these high-tech digital works 50 years from now, or will hardware obsolescence make them difficult to preserve?&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">kijas70327</dc:creator><pubDate>Mon, 15 Dec 2025 13:06:03 -0000</pubDate></item><item><title>Re: Showing: Jonathan Chapline – “Virtual Window” @ Hawkins Ferry House</title><link>https://arrestedmotion.com/2020/10/showing-jonathan-chapline-virtual-window-hawkins-ferry-house/#comment-6640958947</link><description>&lt;p&gt;A virtual window  &lt;a href="https://www.windowfilminstallers.com/" rel="nofollow noopener" target="_blank" title="https://www.windowfilminstallers.com/"&gt;https://www.windowfilminstallers.com/&lt;/a&gt;  is such a brilliant idea! It’s amazing how you can bring nature inside, especially into spaces that may not have natural light or access to views. 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